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Post by CCADP on Dec 8, 2005 19:24:58 GMT -5
Musical tribute to John Lennon at Lincoln Center An extremely important event is happening Dec. 9th & 10th at Lincoln Center -- a tribute to John Lennon to benefit New York's homeless children. For 25 years the Theatre Within has commemorated the memory of John Lennon in a provocative evening of theatre, dance and music. This year's show brings together an enormously talented and diverse group of performing artists who create new work which dynamically reflects on the perennial issues that John Lennon revisited throughout his career: peace, love, rebellion, spirituality, feminism and personal transformation. Special musical guests include Jen Chapin, Cliff Eberhardt and Anais Mitchell. They'll be joined by the Wendy Osserman Dance Company, stand-up performance artist, Joe Raiola, and others. The normal ticket price is $37.50, but there is a 20% discount for What Goes On readers! Just enter the code TWC1. Purchase tickets online at www.actorstheatreworkshop.com. This is a benefit performance for the Builders of the New World, a life-changing theatre and education program for New York City homeless children. Copies of the new book Memories of John Lennon signed by Yoko One will be on sale. Capitol Records has donated an extensive collection of DVD’s, CD’s and other Lennon and Beatles memorabilia that we will be raffling. Join us for a wonderful evening celebrating and remembering John Lennon! More information: • www.actorstheatreworkshop.comPublished December 8, 2005 |
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Post by CCADP on Dec 8, 2005 19:43:16 GMT -5
Youth stage bed-in at UN climate conference in memory of John Lennon
By PETER RAKOBOWCHUK
MONTREAL (CP) - It was reminiscent of the famous bed-in for peace that John Lennon and Yoko Ono staged in a Montreal hotel room in 1969, but this time it was for the earth's climate.
A small group of young environmentalists at the United Nations conference on climate change held a bed-in on Thursday to draw attention to their concerns. They staged event on the same day as the 25th anniversary of the shooting death of the former Beatle.
In May of 1969, Lennon and Ono recorded the song, Give Peace A Chance, in their Montreal hotel room.
Taking a line from that song, the environmentalists sang: Give The Climate A Chance.
With a tape of John Lennon singing in the background, the group took liberties with Lennon's song, which has been adopted by the anti-war movement.
The words became: All we saying is cut greenhouse gases, all we are saying is give youth a chance.
A spokesman for the Sierra Club youth coalition said the group has a message to delegates at the UN conference.
"We need strong commitments on climate change and we need to come together as a whole world to deal with the issue," said Matthew Carroll.
"No country can do it alone, we have to work together."
The bed-in with mattresses and blankets took place in the lobby of the Montreal convention centre where the conference is being held.
Carroll said climate change is the defining issue of the younger generation.
"The delegates need to take positive, strong action to really decrease greenhouse gas emissions, post 2012 to ensure we have a sustainable safe future." Carroll said.
The young demonstrators also held up posters that read: Montreal 1969: Bed-in For Peace; Montreal 2005: Bed-in For The Future.
With his long hair and dark sunglasses, Razceljanluiz Salvarita, brought back memories of Lennon.
The 22 year-old from the Philippines said it's important for young people to express their feelings because they'll be replacing the older generation.
"It's quite hard for some countries to get united, but we need unity, peace, love and understanding that our world is our future," said Salvarita.
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Post by CCADP on Dec 8, 2005 19:44:34 GMT -5
Imagine All the People...
Democracy Now!. Posted December 8, 2005.
Twenty-five years after his assassination, a biographer discusses John Lennon's anti-war activism and the impact his death had on the world. Tools
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[Editor's Note: This is an edited transcript of an interview by Democracy Now!'s Amy Goodman to commemorate the 25th anniversary of the assassination of John Lennon. The full transcript and audio are available from DemocracyNow.org.]
25 years ago today, Howard Cosell broke into Monday Night Football with an announcement that shocked the country.
Howard Cosell: Yes, we have to say, remember this is just a football game, no matter who wins or loses. An unspeakable tragedy, confirmed to us by ABC News in New York City, John Lennon, outside of his apartment building on the West Side of New York City, the most famous, perhaps, of all of the Beatles, shot twice in the back, rushed to Roosevelt Hospital, dead on arrival.
Amy Goodman: John Lennon, dead at the age of 40. As soon as word of his murder was announced, hundreds of fans began gathering in Central Park near the Dakota apartment building where Lennon lived and was shot. A day after he died, his wife, Yoko Ono, said, "John loved and prayed for the human race. Please do the same for him." Millions mourned his death around the world. As a leader of the Beatles, John Lennon helped to transform popular music, but to his fans, he was far more than just a musician.
While the highlights of Lennon's career with the Beatles are well known, Lennon is less remembered for his political activism and dedication to peace. Lennon wrote some of the most famous songs of the anti-war movement: "Give Peace a Chance," "Imagine" and "Happy Christmas, War is Over." He sang at political protests against the Vietnam War, in support of the radical John Sinclair and even for the prisoners of Attica. He and Yoko made international headlines simply by lying in bed as part of their Bed-In for Peace.
The U.S. government saw Lennon as such a serious threat that President Nixon attempted to have him deported in 1972. In addition, the F.B.I. closely monitored his actions and amassed a file on Lennon of over 300 pages. Today, on the 25th anniversary of John Lennon's death, we speak with historian Jon Wiener about Lennon's politics and his F.B.I. files. Jon Wiener is a history professor at the University of California, Irvine, and the author of two books on Lennon: Gimme Some Truth: The John Lennon F.B.I. Files and Come Together: John Lennon In His Time. I talked to Jon Wiener and asked him for his thoughts on this 25th anniversary of Lennon's death.
Jon Weiner: Well, you know, there's going to be a lot of media coverage about the lovable lad from Liverpool and about Beatle-mania, but I think it's important to remember that Lennon put a lot of work into fighting the war in Vietnam. He was an activist in the peace movement, and he paid a very heavy price for that. In 1972, Richard Nixon tried to deport him because of his peace movement activity. I think that is a legacy that's worth remembering today, more than Beatle-mania and more than "I Want to Hold Your Hand."
AG: You wrote a book about the F.B.I. files and John Lennon called Gimme Some Truth. Can you talk about why you started on this quest to get the full F.B.I. files of John Lennon, and how much you have learned? What was happening to him when he left Britain and came to this country under the presidency of Richard Nixon?
JW: Well, Lennon arrived in the United States in 1970, 1971; moved to New York. He wanted to be part of what was going on. What was going on in New York was the anti-war movement, and he became friends with Jerry Rubin and Abbie Hoffman and Bobby Seale and other activists, and he wanted to join in, basically, with the movement, which is pretty unusual for a superstar. Lots of superstars have causes, but he wanted to help end the war in Vietnam, and he tried various strategies of doing that in different ways, at different times. That's what got him in trouble with the Nixon administration.
I filed a Freedom of Information request a really long time ago, in 1981, just after he was killed, to see if the F.B.I. had any documents on him. I thought they must, since they tried to deport him in '72. At that time, they told us they had around 300 pages, but they weren't going to release most of them, because of their national security status. I was lucky enough to get the help of the ACLU of Southern California in taking this case to court. We filed a lawsuit under the Freedom of Information Act in 1983.
In 1997 -- that's what? -- 15 years later, virtually all of the issues were resolved by the Clinton administration. They released almost all of the pages we were seeking. They paid $204,000 of our legal expenses. But they still withheld ten pages, which they said were national security documents provided by a foreign government under a promise of confidentiality. We're still trying to get those ten pages. And just recently, a court ordered the F.B.I. to release them, and the F.B.I. has now told us they are going to appeal that decision. So, ten pages to go, national security documents.
AG: So, you're saying that John Lennon is still a threat to the national security of this country?
JW: Well, I'm not saying that, but the F.B.I. is telling us that they can't release these ten pages, because they contain information provided by a foreign government under a promise of confidentiality. Now, we're not even allowed to know the name of the foreign government. My guess is that it's not Afghanistan.
And, in fact, there's a guy in England named David Shayler, a former employee of MI5, the British organization that corresponds with our F.B.I. He says he saw a Lennon file at MI5. He described its contents. It had information about Lennon's ties with the British New Left and the anti-war movement in London and the Irish movement. Shayler was prosecuted by the Brits under their Official Secrets Act and sentenced to six months in prison for revealing this information.
Our assumption is that's the information that the government of the United States is withholding today. It's provided by the foreign government of Britain. It concerns Lennon's political activities in London in 1969 and 1970. We don't see any reason why information about the political activities 35 years ago of a dead rock star need to remain classified today, but the F.B.I. is willing to go to the Ninth Circuit Court of Appeals and try to convince a three-judge panel that this material can't be released.
AG: Jon Wiener, can you talk about what John Lennon hoped to do in this country, joining up with the anti-war movement, registering voters, and how he was thwarted, specifically how he was dealing with the Nixon administration?
JW: Yeah. Lennon tried to figure out ways that he could use his power as a celebrity to help end the war. And the idea that he developed, along with Abbie Hoffman and Jerry Rubin and other people, was that he should headline a national concert tour in 1972 that would coincide with the presidential election campaign. '72, Nixon was still President and preparing to run for re-election. The war in Vietnam had reached a peak. It was clear that this was going to be a big issue in '72.
The concert tour that Lennon was planning would have been quite a big deal, just because no Beatle had toured the United States since the lads waved farewell at Candlestick Park in 1966, but what Lennon had in mind was something different. He wanted to combine rock music with radical politics and use the tour to urge young people to register to vote -- 1972 was the first year that 18-year-olds were given the right to vote, so that was going to be an important project -- and vote against the war, and that meant voting against Nixon.
Nixon got wind of this plan and promptly began deportation proceedings against Lennon to try to get him out of the country to prevent this tour from ever happening. They were able to do one concert. It was in Ann Arbor, Michigan, in December '71, where they tried out this idea. It was the "Free John Sinclair" concert. John Sinclair was a local movement activist and leader who had been sentenced to ten years in the Michigan state prison for possession of two joints of marijuana. It was a big national issue in 1971, and Lennon headlined a fantastic show that involved political activists. Jerry Rubin spoke, Bobby Seale spoke, Stevie Wonder showed up to play.
AG: And what happened to John Lennon after he performed at the "Free John Sinclair" rally?
JW: The first thing that happened was that John Sinclair got out of prison two days later on appeal. It was quite an amazing victory that nobody had really expected. When I got the John Lennon F.B.I. file, the first stuff in there is a report from an undercover agent who was one of the 15,000 people at Chrysler Arena that night. He wrote down every word John Lennon said, including all the words to the song, including "gotta, gotta, gotta, gotta, gotta set him free." He sent those to J. Edgar Hoover. They were promptly classified as confidential and kept secret for the next twelve years. But this formed the -- this got the Nixon administration concerned that there really might be some potential here to affect the election.
Now in retrospect, it seems very unlikely, since Nixon won by an overwhelming landslide in 1972. Only Massachusetts voted for George McGovern. Remember the slogan, "Don't blame me, I'm from Massachusetts." But, you know, back in December 1971, no one was sure what was going to happen in the election. No one was sure who the Democratic candidate was going to be. No one was sure how significant the youth vote was going to be. And...Nixon did a lot of things that I didn't like, but he was also an astute judge of American politics, and I think if Nixon was concerned that Lennon's political plan to register young voters might play a role in the '72 election, I'm willing to accept Nixon's judgment that there might have been something to that.
AG: The issue that Nixon held over John Lennon, of deporting him over drug charges -- even those drug charges are questionable, is that right? They were brought when he was in Britain?
JW: Well, the Nixon administration's claim for deporting Lennon was that it was just a routine administration of the then-existing immigration law, which held that you could not be admitted to the country if you had any conviction for drugs, no matter how insignificant, no matter what the circumstances. And Lennon had pled guilty to a misdemeanor charge of cannabis possession in London a couple of years earlier.
So, the Nixon administration said he had just been admitted improperly, and therefore, he had to leave. Lennon claimed this was motivated by a desire to silence him as a spokesman for the peace movement, and I think the F.B.I. files show Lennon was right about that. Everything in the file is about Lennon's political activism, the people he was hanging around with, the plans he was making. Virtually none of it is about his status of his immigration visa.
AG: Another major political event he was involved with was in 1971: the Attica uprising in upstate New York; the prisoners who were protesting prison conditions. Can you talk about what John Lennon had to do with that?
JW: Yeah. In September, 1971, there was an uprising at Attica Prison in upstate New York. Something like a couple of thousand, mostly black, inmates seized the prison, had a whole list of demands, most of which were completely reasonable: decent health care, religious freedom for Muslims, alternatives to pork in the diet, uncensored reading materials. The prison administration agreed to virtually all of the demands, but then one horrible morning, 1,400 New York state troopers stormed the prison.
They killed 32 prisoners and ten guards and injured something like 80 more. This was, you know, a complete outrage, and the next month, December 1971, there was a protest meeting and a benefit concert for the families of the prisoners who had been killed in the uprising. That was held at the Apollo Theater in Harlem. And John Lennon went, because this disturbed him. He hated what had happened at Attica. We have tape, very unusual rare tape, of Lennon speaking onstage, live at the Apollo, with 1,500 people who had gathered to protest the murders at Attica Prison.
AG: John Lennon in Harlem:
John Lennon: I would just like to say it's an honor and a pleasure to be here at the Apollo and for the reasons we're all here. Some of you might wonder what I'm doing here with no drummers and no nothing like that. Well, you might know, I lost my old band, or I left it. I'm putting an electric band together. It's not ready yet, and these -- things like this keep coming up, so I have to just busk it. So I'm going to sing a song now you might know. It's called "Imagine." [singing "Imagine"] Two, three, four -- "Imagine there's no heaven. It's easy if you try. No hell below us; above us, only sky -- Imagine all the people, living for today..."
AG: Of course, then-New York Governor Nelson Rockefeller, right after the prisoners rose up [on] September 11, 1971 (September 9, it began). On the 13th, he called out the New York state troopers, and they opened fire, killing 39 men, including guards, critically wounding more than 80 others and injuring hundreds...
JW: Yeah, it was a terrible day, and it's interesting that Lennon wanted to be part of that protest, too. So, you know, New York was very important to him, and he wanted to be part of the political life of New York and part of the movement in New York, and that's one of the reasons why it was particularly horrible that he got killed in New York, which was the city that he thought of as the center of the world, the home of the free.
AG: "Imagine" is a song that has tremendous power through the decades. After 9/11, it was reported that Clear Channel had it on a list of songs that would not be allowed to be played on their stations, and that was significant, because Clear Channel owns more than 1,200 radio stations in this country.
JW: Yeah. Well, he does say, "Imagine no more countries. It isn't hard to do." And he also says, "Imagine no religion. It's easy if you try." Of course, the Christian right in the United States finds that a completely outrageous statement, and they have been campaigning against that song ever since he recorded it in 1970.
AG: Can you talk about John Lennon in the Beatles, their political views and how the U.S. -- and the Nixon administration -- dealt with them overall?
JW: Well, you know, the Beatles -- there was a tension within the Beatles that we only found out about later, where Paul McCartney basically was an entertainer who wanted to sing songs that would delight and thrill people. John Lennon, and also George Harrison, were much more interested in the world and what was going on and how they could be part of what was going on. I mean, it was an exciting time to be young. So the Beatles struggled with this internal debate they were having.
In 1966, when they came to the United States, at their first press conference they said, "We hate war. War is wrong. We think about it every day." They had been advised not to do this by their management. This was something -- taking a political stand like that in the United States at the time was something only for folkies like Joan Baez or Bob Dylan, or something like that. Rock groups never said they were against the war in Vietnam, especially in 1964. I think probably most Americans hadn't even heard of the war in Vietnam. And for the Beatles to say, "We think about it every day," was a truly remarkable thing. I don't think most people noticed it at the time. But, obviously, they were already wrestling with the issue of what they could do, and especially Lennon, and to a lesser extent Harrison, also.
If you look at Lennon's songs, a lot of them are about what's going on around them. And they were spokesmen for the counterculture. They were spokesmen for psychedelic drugs. And they were spokesmen for youth rebellion against authority, in general. You know, the most important thing was that their songs were so great...if the songs weren't so great, we wouldn't be talking about them today. But there was more to the songs. There was an interest in engaging with the political spirit of the times that we don't see very often in the history of pop music.
AG: ... Any thoughts on John Lennon's murder?
JW: Well, you know, the first thing we think of is who gets assassinated in America? It's Martin Luther King, and it's John Lennon. It's a scary thing about America. And for people who grew up in the '60s, that day, December 8, 1980, was one of the very worst days, because the dream really was over at that point.
Lennon was a guy who you never knew what he was going to do. He was willing to embarrass himself. He tried out things that often didn't work, but he was always interesting, and you know, we had the feeling that, sort of, he was part of us, and so today we miss his spirit. We miss his adventurousness. We miss his music. And, you know, it's a sad day.
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Post by CCADP on Dec 8, 2005 19:45:25 GMT -5
Photographer Showcases Lennon's Life In Pictures At SoHo Gallery
December 08, 2005
On this 25th anniversary of his death, a new exhibit in SoHo is celebrating the life of John Lennon. NY1's Stephanie Simon filed the following report.
Most photographers probably can't recite the exact date of every photograph, but Allan Tannenbaum remembers photographing John Lennon and Yoko Ono on November 21, 1980 – just weeks before Lennon's death. His photos are a calendar of memories.
"In the 1970's, I worked for a newspaper called the SoHo weekly news, and in the fall of 1980 we became aware of the fact that John and Yoko were coming out of seclusion after 5 years, and that they were releasing a new album called "Double Fantasy," says Tannenbaum.
Tannenbaum convinced the paper that they should cover the re-emergence of the couple. The editor convinced Yoko, and on November 21st Tannenbaum began a memorable series of photographs of John and Yoko.
"We did some pictures together in Central Park, and then we did some pictures in front of the Dakota and back in their office," says Tannenbaum. "While I was there I overheard them talking about a video that they were going to be shooting, and I suggested they have a still photographer on the set so they said we'll see. Five days later they called me, and Yoko said 'John feels comfortable with you, come with us to the studio," he says. "I got some incredible pictures of them while they were filming the video of 'Just Like Starting Over."
John Lennon was the founder and the heart and soul of the world's most popular rock and roll band. For John, Yoko was, "the other half of the sky."
"I went to see them at the Dakota to show them the contact sheet and the color slides. John really liked the photos, and he said 'you know what I like about your photos, you really capture Yoko's beauty," he said.
Days later, on December 8, 1980 John Lennon was murdered.
"I was in the dark room making prints for them when I got the news that John had been shot," he says.
Twenty-five years later the photographs hang on the walls of the Puffin Room on Broome St in SoHo. The exhibit's called John Lennon in NYC. On view thru January 15, it showcases the works of Tannenbaum, as well as David Spindel and Roger Farrington.
- Stephanie Simon
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